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Escape From Clinch Mountain

by The Bara Bara Band

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1.
Sister 02:41
Like the rolling Russian seas There's too many fish in the sea Yet there's not enough to go round So we stay strong and stand our ground When I'm called up to protect my nest I know I must fight to the death Yet I know that I can rely On my sister, to be on my side Lately I've been involved Lately I've evolved And yet there's been no compromise And yet there's been no need to terrorise And I forget how many many times I've come to rely On my sister, to be on my side
2.
Oregon 02:54
They crossed the Atlantic Ocean The boats were made of wood They landed on the eastern shore and found the land was good Most of them settled down The others pushed on across the Appalachians Through the wilderness Some on wagon, some on foot and horses for the rest Most of them settled down The others pushed on across the Mississippi About a mile wide To face the Great Plains, thirst and hunger, many many died Yes some got left behind The others pushed on across the Rocky Mountains The salt flats of Utah The wastelands of Nevada and the high Sierras saw That some got left behind The others pushed on into California Those men who knew no rest The Pacific Ocean stopped the restless movement west Most of them settled down The others turned around Some turned to the south Down to Mexico But the people of whose blood I am they said we'll go And settle Oregon The people I come from, they settled Oregon The people I come from
3.
One night as I lay sleeping I heard a tap tap tap You were at the window praying like a cat Ready to jump on me your claws all spread right out Thought you'd swallow me whole I tried to scream and shout Oh lo-lo-lo-lo lonely where did you come from I know know know know know you from somewhere once upon A time, I remember Your face, I recall Round and round in circles round and round we go Come in through the window when you've nowhere else to go I will let you in tonight while I'm alone You will leave as soon as my true love is home Oh lo-lo-lo-lo lonely where did you come from I know know know know know you from somewhere once upon A time, I remember Your face, I recall You saw me leaving with your friend a long time ago You saw me leaving but you never said hello And what's become of a life so lonely What's become of a life so bare Oh lo-lo-lo-lo lonely out there in the wild I know that I am yours now for I shall have your child Oh lo-lo-lo-lo lonely where did you come from I know know know know know you from somewhere once upon A time, I remember Your face, I recall
4.
Nevermind 03:38
Never mind the waves on the sea You and I were made to be Never mind the boats on the water I'm gonna give you a little son or daughter Who really cares about the world and its wonders You and I shall never be a sunders I would cross the main or any deadly ocean Cos you are magical than any magic potion I'm gonna lay my cards on the table You'll be the horse, I'll be the stable Ride with me now, bareback through the valley I promise not to lead you up any blind alley Never mind the waves on the sea You and I were made to be Never mind the boats on the water I'm gonna give you a little son or daughter And though I dream of Texas and the Appalachian mountains I'm waiting for nothing, not even counting Hard times, hard times yes they will come But my leg's tied to yours and with our three legs we shall run run run Never mind the waves on the sea You and I were made to be Never mind the boats on the water I'm gonna give you a little son or daughter Never mind the stars in the sky I will always love you even after I die You and I were made to be You and I were made to be
5.
Willie-O 03:14
Mary lay sleeping, her love came creeping To her bedroom door so slow Saying rise up Mary my lovely Mary It's your charming Willie-o Mary arose she put on her clothes And to the bedroom door did go And there she saw her own true His face was as pale as the lily snow Willie dear where are the blushes That you had some time ago Mary dear the clay has changed them I'm but the ghost of your Willie-o There they lay in deep conversation 'Bout their courtship years ago They kissed they held each other and sorrowfully parted Just as the cock began to crow And as they lay in deep conversation Down her cheeks the tears did flow Mary dear now I must leave you I'm but the ghost of your Willie-o Willie dear when will we meet again When the fishes And the seas they run dry And the rocks they melt in the sun
6.
What Johnny Booker wouldn't do do do What Johnny Booker wouldn't do
7.
The city sings the saddest tune merging sounds through a tube, A tune of sorts, a sort of truce, swallowing a bitter pill, Everyone calling it off, a coup. I see a man in front of me. He doesn't hear. He doesn't see. He plays a pretty melody and sings in harmony, Noisily telling us of his love, and it's all about you. Whether its the saddest song with people all singing along, I don't know why the words that fit into songs are true and all about you. Whether its playing, or lies dressed up as the truth, I don't know why they all know what's there between me and you. All about you. A dissonant story through verse and through poetry, A cauldron of melody and words, a word symphony Pulling out all of the stops, and rules. My headphones are singing, stinging and ringing, Changing my moods through rhymes and through tunes, Hastening to warning me off the blues. And they're all about you Whether its playing, or lies dressed up as the truth, I don't know why they all know what's there between me and you. All about you. Whether its the saddest song with people all singing along, I don't know why the words that fit into songs are true and all about you. Yes pull me out, tell me off, tell me what I should and shouldn't do I don't know why the words that all fit into blues are true
8.
Instrumental
9.
One morning in the midst of spring A crowd came for him they locked him up in a distant tower To repent his sin They took him to the trial after flogging him with grime They smeared his face and asked him what was the cause of his crime It was the girl with the raven hair my friends, the girl with the raven hair In the light of the day he was made to walk sober Through the midst of the town His face was still wet from the evening dew and his clothes were a dusty brown His family were told of the news and they quickly moved to another town And his friends all discussed what could it have been that turned this boy's life around It was the girl with the raven hair my friends, the girl with the raven hair La la la la la la la la la La la la la la la la la la On the eve of his execution the jailers spoke about his fate Tried for protecting this young girls honour the stories they did relate But when they went to fetch him from his cell no body could they find Someone had swapped his body with clothes from the laundry line It was the girl with the raven hair my friends, the girl with the raven hair La la la la la la la la la La la la la la la la la la
10.
It was on the fifth of August The weather fair and mild Was born a maiden full of life So wicked and so wild Come 1941 she was driving An ambulance in the war By night she stayed out quite so late She'd climb in over the barrack wall A few years on she went to learn to teach The children abc There she met a man so fair Just a bit younger than she Well soon they were wed and out popped One sprog and then another One of who was to become My very own mother So Grandma here's a song for you You jolly jolly girl You make the best Yorkshire puds In the whole wide world
11.
Cavelight 02:50
We'll go to our cave And sit where the light Where the light pours in like the rain We'll look down at the waves And wave to the man In the lighthouse over the way With our fire at night The smoke going out Where the light pours in like the rain We'll sit in the cave light In the cave in the cliff by the side of the sea That man he will see The light pouring in And the smoke that floats right And he won't feel alone He'll know that we're home His cave family in their home He'll shine his light To the sky once again And his ship will sail right in We'll sit in the cave light In the cave in the cliff by the side of the sea La la la, la la la, la la la la la la la la la La la la, la la la, la la la la la la la la la We'll sit in the cave light In the cave in the cliff by the side of the sea
12.
Wolf 04:06
I'm a wolf, I'm a wolf All dressed up like a sheep Don't come near me, on the full moon Or ne'er again shall you sleep Hear me howling, hear me howling Morning, noon and night Come and stroke me, some and stroke me Feel my sharp teeth as I bite I'm a wolf, I'm a wolf All dressed up like a sheep Don't you try me, on the full moon Or ne'er again shall you sleep Sometimes I hear a, another crying It's my unborn child Crying mama, crying mama Let me out into the wild I'm a wolf cub, I'm wolf cub I'm a wolf cub, I'm a wolf cub I'm a wolf, I'm a wolf All dressed up like a sheep Don't you try me, on the full moon Or ne'er again shall you sleep I'm a wolf cub, I'm wolf cub I'm a wolf cub, I'm a wolf cub
13.
What'll I do with my herring's head? Oh what'll you do with your herring's head? I'll turn 'em into loaves of bread Herrings head Loaves of bread And all manner of things Of all the fish that live in the sea, the herring is the one for me. Oh what do you say to such a thing, have I done well with me jolly herring? Oh what'll I do with my herrings gills? Oh what'll you do with your herring's gills? I'll turn 'em into window sills Herring's gills Window sills Herrings head Loaves of bread And all manner of things Of all the fish that live in the sea, the herring is the one for me. Oh what do you say to such a thing, have I done well with me jolly herring? Oh what'll I do with my herring's fins? Oh what'll you do with your herring's fins? I'll turn 'em into wedding rings Herrings fins Wedding rings Herring's gills Window sills Herrings head Loaves of bread And all manner of things Of all the fish that live in the sea, the herring is the one for me. Oh what do you say to such a thing, have I done well with me jolly herring? Oh what'll I do with my herring's bones? Oh what'll you do with your herring's bones? I'll turn 'em into telephones Herring's bones Telephones Herrings fins Wedding rings Herring's gills Window sills Herrings head Loaves of bread And all manner of things Of all the fish that live in the sea, the herring is the one for me. Oh what do you say to such a thing, have I done well with me jolly herring? Oh what'll I do with my herring's brains? Oh what'll you do with your herring's brains? I'll turn 'em into model trains Herring's brains Model trains Herring's bones Telephones Herrings fins Wedding rings Herring's gills Window sills Herrings head Loaves of bread And all manner of things Of all the fish that live in the sea, the herring is the one for me. Oh what do you say to such a thing, have I done well with me jolly herring?

about

The album was recorded at Propagation House Studios in Cornwall with engineer Mark Ellis (who has worked with Seth Lakeman and Steeleye Span amongst others), in February 2014 in the middle of the great storms. It was mixed by Ben Walker.

Line-Up:
Ruth Jacob – banjo, vocal, harmonica, tin whistle
Rupert Browne – guitar, vocals, bass
Will Dobson – cajon, percussion, vocals
Boris Ming – fiddle, vocals, percussion, keyboards

Songs

The album opener is Sister, written by Rupert Browne.

The second track, Oregon, was taken from a recording by Ruth’s banjo idol Derroll Adams, and was written for him by his friend Tucker Zimmerman. The song is a story of the migrants who took what became the Oregon Trail.

A Boy Named Lonely was co-written by the recently wedded Browne and Jacob, and tells a sorrowful tale of love, lust, seduction and loneliness.

Nevermind, written by Jacob, is a love song drawing on folk imagery and dreams of the Old West.

Willie-O is a traditional song collected from Nora Cleary. Arranged by Browne and Ming. It tells the tale of a nighttime visit by the ghost of a dead lover.

Johnny Booker and Old Jimmy Sutton are old-time fiddle tunes which Ruth learnt on banjo and convinced the band to go down that road. It’s now one of several medleys of old-time tunes performed by the band.

Track 7, All About You, is Browne’s exploration into how music and songs can reflect life and the inner psyche.

The title track, Escape From Clinch Mountain, is a tune composed by Jacob and Browne by accident – Jacob was trying to learn Clinch Mountain Backstep from banjo legend Pete Stanley but she couldn’t remember the tune so this came out!

Following on is The Girl With The Raven Hair, written by Browne. It is a ballad about a man being rescued from jail and ultimately execution by his lover, who was the cause of the crime.

The Fifth of August is the melody and first two lines of the well-known Brigg Fair, and then proceeds to tell the story of Mavis Goodman’s life - Jacob’s maternal grandmother, who was born on 5th August 1920 and is still alive today.

Cavelight, co-written by Jacob and Browne, is a dreamy tale of what it might be like living in a cave.

The penultimate track, Wolf, takes the listener into a world of pre-menstrual rage, illustrating mood swings with the classic wolf in sheep’s clothing metaphor. It goes on to tell of how a motherless woman yearns for a child, hears the child crying, or in this case, the wolf cub.

And to round it all off is Jacob and Browne’s rendition of the Herring Song, a traditional ‘list’ song about what to do with the different parts of the herring. Browne and Jacob added in some of their own lines, like the herring’s bones being made into telephones.

credits

released January 14, 2015

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The Bara Bara Band London, UK

Ruth Jacob - banjo, vocals and stuff
Rupert Browne - guitar, vocals, bit of bass
Will Dobson - drums, percussion, noises
Boris Ming - fiddle, dancing

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